It is the east, and Juliet is the sun. / It is the east, and Juliet is the sun." All this goes to prove that you can get away with saying nearly anything as long as it sounds poetic enough. Romeo asks Juliet to appear ("Arise, fair sun") at her window. In all early editions (except the First Quarto, in which the line and "It is my lady..." are omitted entirely), "It is my lady..." and this line are written together. It is … The only shows I see, Tomorrow and Today, Perchance Eternity. A nice bit of metrical shortening here, as Shakespeare departs from the regular iambic pentameter and blank verse used in the rest of Romeo’s speech, and gives us just three feet in the line ‘O, that she knew she were!’ (to mirror the longing in Romeo’s voice – the short line brings us up short, as we remember that Juliet doesn’t yet know the depth of Romeo’s feeling for her). But soft, what light through yonder window breaks? Romeo concludes his musings upon Juliet's chastity with a line that echoes his earlier call for Juliet to "kill the envious moon." Anyway, Romeo romantically compares the window to the eastern horizon at dawn; he hasn't seen Juliet appear yet (at least in most interpretations of the script), but, like the dim light appearing before sunrise, the light heralds her arrival. will generally employ that "short-long x 5" rhythm. “But soft, what light through yonder window breaks” is iambic, but the next line, “It is the East and Juliet is the sun” breaks the meter on the word “Juliet” when Romeo realizes who he is looking at. Maid alludes to Juliet's virginity both in its traditional denotation as a young, unmarried woman and as a servant of the moon (implying that Juliet is in the service of Diana, which would reinforce the concept). "But soft! The second line is more eccentric in its meter. Instead of revealing himself, Romeo will wax romantic in an extended metaphor that gets back to the initial light imagery. Romeo's mention of sick and green in this line owes to the Renaissance belief that women who protractedly maintained their virginity were subject to green-sickness, so named because of a form of anemia that could affect young women (known medically as chlorosis, in which the skin actually takes on a greenish cast due to a significant hemoglobin deficiency). Arise, fair sun, and kill the envious moon, Who is already sick and pale with grief, That thou her maid art far more fair than she: Be not her maid, since she is … Most of his plays were written in iambic pentameter, except for lower-class characters who speak in prose. Still, the idea of Juliet being like the sun rising in the east is a nice one, and picks up Romeo’s earlier description of Juliet (‘O she doth teach the torches to burn bright’). what light through yonder window breaks? (Whether she’s at a balcony is much disputed; the balcony appears nowhere in Shakespeare’s stage directions – Juliet is simply described as being somewhere ‘above’ – and the first production known to use a balcony wasn’t staged until the late seventeenth century.). O what a … That birds would sing and think it were not night. O, that she knew she were! what light through yonder window reaks? When spoken it looks like this: "But SOFT what LIGHT through YONder WINdow BREAKS" Separated into feet it looks like: what light through yonder window breaks? But it is simple to learn and easy to speak once it comes alive for you. What light through yonder window breaks; U … what light through yonder window breaks?’ speech retains some of Romeo’s love-struck hyperbole that we saw from him in Act I, but he is about to talk to Juliet again, alone at her window, and their mutual admiration will deepen as they resolve to be together. Here are some examples of regular iambic pentameter: When in disgrace with fortune and men’s eyes (Sonnet 29). Shakespeare used varying syntax so that his writing would fit a specific meter, iambic pentameter: But, soft! First, of course the rising sun of day signifies the end of night, "killing" the moon. As daylight doth a lamp; her eyes in heaven This is from Act 2 scene 3 beginning at line 4. But soft! what light through yonder window breaks?’ represents the consolidation and confirmation of Romeo’s love for Juliet, as he echoes his initial paean to her beauty (from Act I Scene 5), but the intensity of his feeling is seen to develop. (Romeo and Juliet). Romeo: But soft, what light through yonder window breaks? It is the east, and Juliet is the sun. Please reread the famous lines above by Dr. Seuss – but this time out loud. da DUM da DUM da DUM da DUM da DUM. what light through yonder window breaks?’ is a speech made by Romeo at the beginning of Act II Scene 2 in Shakespeare’s Romeo and Juliet. I am too bold, ’tis not to me she speaks: Romeo intends to make his presence known to Juliet. ‘But, soft! BAboom / BAboom / BAboom / BAboom. Romeo riffs on the paleness of the moon, seeing this as a sign that the moon is ‘sick and pale with grief’ because its ‘maid’, the sun, is more fair or beautiful than she is. “But soft! Juliet’s eyes are ‘speaking’ because her expression says as much as words could. Juliet should not follow the cold, distant moon, that represents chastity; for one thing, Romeo probably doesn’t want Juliet to remain a virgin. ‘But, soft! 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